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"To Cut or Not To Cut: Censorship in Literature"
with Pancho Savery
Tuesday, January 29
Recent efforts to remove the “n” word in literature—from the new edition of Mark Twain’s Huck Finn
in which the word is changed to “slave” to the attempt to halt a high school production of August Wilson’s Joe Turner’s Come and Gone
because of what some considered offensive language—raise questions about censorship.
Is censorship ever a good thing?
Should accommodations be made considering the difference between a character’s and author’s point of view? Reed College professor Pancho Savery will facilitate a discussion that examines these questions
, as well as how language is used in Twain’s and Wilson’s texts.
is professor of English, humanities, and American studies at Reed College, where he teaches courses in American literature post-1850, African American literature, and modern and contemporary American and European drama. He also teaches in Reed’s freshman humanities program on the Ancient Mediterranean World (focusing on Greece, Egypt, Persia, and Rome). For the last eleven years, he has worked with Oregon Humanities on the Humanity in Perspective program. He has given theater talks at both Portland Center Stage and Artists Repertory Theater, and directed Delve Reading Seminars through Portland Literary Arts. He has published essays on Robert Creeley, Ezra Pound, Saunders Redding, Ralph Ellison, Cecil Brown, Tennessee Williams, James Baldwin, Robert Farris Thompson, Albert Murray and others. Recent poems appear in the current issue of Hubbub
For more information about this free community event, please contact John Smith at 503-682-2744 or email@example.com.